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A Fleeting, Ephemeral Prometheus; or, Scapegoating Air Guitar

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A Fleeting, Ephemeral Prometheus; or, Scapegoating Air Guitar

When I was in elementary school, one of my best friends was a kid named Jon. Jon’s father was the vice principal of Dana Hills High School, which I would later attend (albeit very reluctantly and infrequently). Mr. Schlesinger, as his father was called, thought it would be beneficial for us young children to attend the air guitar there one year, so that we could glimpse how fun and exciting our futures would be. I was maybe ten years old, and even though the event would just be a bunch of pimple faced kids pretending to sing vapid pop songs, this would be the closest thing to a concert I would experience at that time.

I remember the hallways seeming really large and the ceilings really high. The students were so big that they were more adults than kids in my eyes; I was intimidated to be sure, but excited nonetheless.

As I would come to discover in time, the event wasn’t much different from nearly every other air guitar, pep rally, and school dance function in existence. Students did performances of popular radio hits of the day and classics from the ‘60s, ‘70s, and ‘80s. Some were more entertaining than others, but nothing really stood out too much in hindsight—with one notable exception.

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