I moved to Berkeley in the summer of 2006 to attend university. I had never been to the Bay Area before, but I somehow knew that I was meant to go there—whether I liked it or not. You see, Berkeley had been the stomping ground of a lot of my childhood heroes, and I desperately wanted to inject myself into that paradigm: Aaron Cometbus, Billie Joe Armstrong, Allen Ginsberg, Jeff Ott, and Gary Snyder all came out of the B-Town existence, and that’s where I wanted to be, man.
To me, Berkeley was where poets and punks came from or, if they weren’t from there, went to do some damage. And I aimed to do a lot of damage.
As a teenager, I collected records compulsively, especially ones by East Bay Punk bands like Crimpshrine, Operation Ivy, and a slew of lesser known Gilman Street regulars. I had hundreds of them, and I would even hunt down different pressings of the same release for completion’s sake. I would spend hours and hours listening to them and reading the inserts, fantasizing about how radical it would be to actually be a part of the whole scene and see all these bands play 924 Gilman Street, which was pretty much fucking Mecca as far as I was concerned. Later on, when I discovered Ginsberg and all those other beat cats, I felt the same wistful longing to be involved with that scene, despite the fact that it too was decades removed from me.